Found inside – Page 29THE PARIS COLONIAL EXPOSITION OF 1931 The Paris Colonial Exposition in May-November 1931 was an historical event. Overwhelmingly successful, it had profound ... This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Novel in their focused consideration of ways in which these built environments reinforce neocolonialist connections among former colonies and colonizers, states and international organizations, the volume's case studies engage highly ... Exploring the resilience of French nostalgia for Indochina in books and movies, the author examines work by Malraux, Duras, and Claudel, and the films Indochine, The Lover, and Dien Bien Phu. Colonial Metropolis tells the story of the interactions and connections of these black colonial migrants and white feminists in the social, cultural, and political world of interwar Paris and of how both were denied certain rights lauded by ... Found inside – Page 63Images of Exhibition and Encounter Michael Lawrence, Karen Lury ... of the Primitive at the 1931 Paris Colonial Exhibition', Modernism/Modernity Vol. 14 no. Focusing on the overlap of avant-garde and middle-of-the-road production, she investigates the import of these issues not only in, painting, sculpture, and architecture (concentrating on the work of Leger, Picasso, Le Corbusier, Ozenfant, ... This is not a work of high-brow social theory, but a classic work of history, deeply influenced but not excessively burdened by social-theoretical baggage. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us ... Found inside – Page 194CHAPTER SIX INDIES PAVILION IN FLAMES : The Representation of Dutch Colonialism at the International Colonial Exposition in Paris , 1931 . Drawing on documentary, literary and visual sources, the book connects high politics and daily life and uncovers how, through travel, correspondence, world fairs and international congresses, the preservationists exchanged ideas, helped ... Found insideThis book demonstrates how France’s fascination with India stemmed from all of these motives, as well as being a key component of her own national self-definition in the nineteenth century. Selections from speeches and addresses delivered by Rudyard Kipling. Found insideDrawing on the insights of anthropological and cultural theory and on extensive archival research, Herman Lebovics shows how, among politicians and thinkers from both the right and the left, the glorification of True France masked the ... This book is concerned with the formal and political framework of several variations in France and the French overseas empire. Found inside – Page 220The 1900 exposition drew a record fifty million visitors , but no profit ; Paris was ... century expositional mold : the 1931 Colonial Exposition in Paris . Found inside – Page 105L'Exposition coloniale internationale de Paris, or the Paris Colonial Exposition, ran from May 6, 1931 to November 15, 1931. Its intentions were to educate ... A look at how the 1931 International Colonial Exposition in Paris created hybrids of French and colonial culture. Found inside – Page iThis book unravels the formation of the modern concept of cultural heritage by charting its colonial, postcolonial-nationalist and global trajectories. Human Zoos, which begins with the early nineteenth-century exhibition of the Hottentot Venus and proceeds through a history of showcasing “savages” and “peoples of the world”—in New York, Moscow, Paris, and Tokyo, among other ... This landmark collection by an international group of scholars and public intellectuals represents a major reassessment of French colonial culture and how it continues to inform thinking about history, memory, and identity. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century. As horrific and compelling as it is brilliantly researched and compiled, this volume unflinchingly surveys the very recent history of the West's arrogant abuse of those deemed to fall outside its brutal terms of civilization. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. Found insideSilently, these works of ceramic art—art that also graces homes and museums around the world—represent a riveting story of resilience and survival: In the final years of the Ottoman Empire, as hundreds of thousands of Armenians were ... This volume aims to redress this balance and will explore how the idea of empire was expressed in film, photography, painting and monuments. At these exhibitions, the Netherlands showed off its colonies by erecting models of schools, sugar-factories, bridges, and railways exhibits, which were meant to give proof of the good works of modern colonial administration and enterprise. This book investigates the role of cultural heritage as a constitutive dimension of different civilizing missions from the colonial era to the present. The last series of linked lyrics, meanwhile, takes as its ‘subject’ the urge to memorialize the scenes of fatal car accidents. Found insideChallenging the notion that there was no 'popular imperialism' in France, this important new book examines the importance of France's colonial role in the development of French society and culture after 1870. To tell this story, Bertelsen travels to the nineteenth century, when mushrooms entered the realm of haute cuisine after millennia of being picked from the wild for use in everyday cooking and medicine. Found inside – Page iiIn her research Yulia Nurliani Lukito analyses modernity and the construction of culture by the authorities using the images of Indonesian vernacular architecture presented at three different sites and times. This volume examines how an official French visual culture normalized the country’s colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. French Colonial Documentary investigates how the promise of universal citizenship rights in France was projected onto the colonies as a form of evolutionary interventionism. Found insideThe Sanctuary of Eleusis, near Athens, was the center of a religious cult that endured for nearly two thousand years and whose initiates came from all parts of the civilized world. Given the current scholarly interest in reassessing colonial attitudes and in francophone culture, this book fills an important gap by focusing upon the neglected French colonial discourses at the height of the French imperial encounter ... This work interprets a range of cultural products to uncover the "colonial unconscious" of the age. Found insideFrom Indochinese rice to North African grains and tropical fruit to curry powder, this book offers an intriguing and original challenge to current orthodoxy about the centrality of empire to modern France by examining the place of colonial ... 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